Showing posts with label Eva Dolan. Show all posts
Showing posts with label Eva Dolan. Show all posts

Friday, 26 January 2018

BEST OF CRIME with Eva Dolan

Welcome to my latest BEST OF CRIME feature, looking at crime writers' top picks, from their favourite author and fictional detective to their best writing tip. 




Today I'm delighted to welcome 

EVA DOLAN

for her This Is How It Ends blog tour

to share her BEST OF CRIME ...




... AUTHORS
Patricia Highsmith is the author I keep returning to for the psychological precision of her work and the confidence of her prose. There might not be better for explorations of obsession and envy, the proximity of love and hate and just how devastating that proximity can be. I reread the Ripley novels every couple of years but her non-Ripley books contain some gems too. The Tremor of Forgery is oddly underrated and deserves a look, also her non-crime novel Edith’s Diary which is perfect for fans of domestic noir.


... FILMS/MOVIES
Die Hard. All of them, except the last one, even Die Hard 4 has plenty to recommend it. ‘You just killed a helicopter with a car!’ – that’s the kind of line I want in a crime film. Though they’re maybe more action than crime by that point the original stands as a great example of what a cop can do with no shoes, a sweaty vest and a really smart mouth.


... TV DRAMAS
Sneaky Pete is one of those shows that I totally loved but nobody I mention it to has seen. Marius is a con man who, on being released from prison, needs a place to lie low so assumes the identity of his former cellmate and insinuates himself into the man’s long estranged family. Little does he know that they have a few rackets of their own on the go. Bryan Cranston – who also co-wrote it – is an oily casino owner, Margo Martindale is a star as a savvy bailbondswoman, and Giovanni Ribissi turns in a brilliantly twitchy and often surprisingly emotional performance. It’s at the lighter end of the crime spectrum, warm hearted and very funny, but that only makes the moments of brutality even more effective. One to binge.


... FICTIONAL KILLERS
Clytemnestra in Colm Toibin’s The House of Names is the killer who stayed with me from 2017’s reading. Based on an ancient Greek tragedy it’s the story of a king, Agamemnon, who lures his family away from their safe home with the promise of a good marriage for his daughter Iphigenia, only to sacrifice her to the gods, in hopes that they’ll reward him by improving the weather and allowing him to sail into battle. Toibin flips the classic narrative by telling the story from the remaining family member’s points of view, rather than the triumphant king's and in so doing creates a devastating portrait of a grieving mother who doesn’t share her husband’s belief in the gods and realises that the sacrifice was to appease his army and maintain his position of power. We see Clytemnestra slowly and determinedly plotting her revenge, one it’s very easy to understand and support and for that reason she is a fascinating fictional killer, one of the very few I’ve found myself rooting for. While this isn’t strictly a crime novel it springs from a tradition which laid down many of the narratives writers are still riffing on thousands of years later. Definitely a book for crime readers to try. 


... FICTIONAL DETECTIVES 
It’s always going to be Rebus. They were the first detective novels I read and the ones which made me want to be a crime writer. Here’s a bolshy, gobby, fighty bloke a million miles away from Miss Marple and all the genteel English crime novels I couldn’t get into at the time. Ian Rankin’s books laid down a template that a working class crime writer could follow.


... MURDER WEAPONS
The one I can’t forget and which makes me eye the author with suspicion even now, is the newspaper used in Craig Robertson’s debut, Random. What kind of sick mind would consider rolling up a paper and shoving it down someone’s throat to choke them to death? I’m gagging just thinking about it.
    

... DEATH SCENES
It’s near impossible to do this without giving away a massive spoiler and the film is far too good for me to risk ruining it for anyone who hasn’t seen it yet. But Martin Sheen’s character in The Departed dies a death which flips everything we’ve seen up until that point and made me full on gasp. Brilliant writing.
  

... BLOGS/WEBSITES
Is any website more useful that Wikipedia? Google maps


... WRITING TIPS
Read bad books. You’ll learn as much by seeing what not to do as you will by studying the very best writing looking for tips. You’ll also feel a lot better about your own work. This one is particularly useful when suffering from writer’s block. Just don’t try it with wildly successful but badly written novels, because that’s depressing.


... WRITING SNACKS
I’m pretty much cigarettes and espresso when I’m writing but the one bit of food I’ll eat is this amazing Indian chocolate with coconut from Waitrose 1 range. It tastes like Bounty bars if they were made by angels.

About EVA DOLAN

Eva Dolan was shortlisted for the CWA Dagger for unpublished authors when only a teenager. The four novels in her Zigic and Ferreira series have been published to widespread critical acclaim: Tell No Tales and After You Die were shortlisted for the Theakston’s Crime Novel of the Year Award and After You Die was also longlisted for the CWA Gold Dagger. She lives in Cambridge.

Find Eva Dolan on her Facebook page and on Twitter - @eva_dolan


About THIS IS HOW IT ENDS




Publisher's description

This is how it begins.

With a near-empty building, the inhabitants forced out of their homes by property developers.

With two women: idealistic, impassioned blogger Ella and seasoned campaigner, Molly.

With a body hidden in a lift shaft.

But how will it end?

Read a snippet of my review
'Eva Dolan is a force to be reckoned with. This is How it Ends is her best novel yet - a book that will challenge you and leave you reeling.'

To read the rest of my review, click here.

This Is How It Ends was published by Raven Books on 25 January 2018.


Look out for more BEST OF CRIME features coming soon.

Click here to read more BEST OF CRIME features.

Did you follow the Blog Tour?





This is How It Ends by Eva Dolan - republished review

This is How it Ends
By Eva Dolan
Published by Raven Books (25 January 2018)
I received an Advance Reader Copy from the publisher



Publisher's description
This is how it begins.
With a near-empty building, the inhabitants forced out of their homes by property developers.
With two women: idealistic, impassioned blogger Ella and seasoned campaigner, Molly
With a body hidden in a lift shaft.
But how will it end?


My verdict
When I finished This is How it Ends, I sat for a while gazing into nothing, surrounded by silence. I wanted to shout about the issues it raised and share my enjoyment of the book and my admiration for the author. Yet first of all I needed some time to think and process everything I had read.

While this is a psychological thriller, it's also so much more than this. I can't say much about the plot without giving anything away. But it is complex and intelligent, filled with social and political conscience and some highly topical and ethical contemporary themes. It is bang up to date, focusing on the plight of the underdog against the big property developers. The writing is stunning, drawing the reader in. This is a masterclass with its multi-layered plotting, realistic characters and twists that actually work.

I don't think I've ever been so invested in a book's characters before, shaken and shocked by events as they unfolded right until the bitter end. This is a powerful twisty thought-provoking read and one I won't forget easily - if at all. It's also a book that people will be talking about for a long time, as anger, compassion and frustration ooze off every page.

Eva Dolan is a force to be reckoned with. This is How it Ends is her best novel yet - a book that will challenge you and leave you reeling.

Tuesday, 12 December 2017

This Is How It Ends by Eva Dolan

This is How it Ends
By Eva Dolan
Published by Raven Books (25 January 2018)
I received an Advance Reader Copy from the publisher



Publisher's description
This is how it begins.
With a near-empty building, the inhabitants forced out of their homes by property developers.
With two women: idealistic, impassioned blogger Ella and seasoned campaigner, Molly
With a body hidden in a lift shaft.
But how will it end?


My verdict
When I finished This is How it Ends, I sat for a while gazing into nothing, surrounded by silence. I wanted to shout about the issues it raised and share my enjoyment of the book and my admiration for the author. Yet first of all I needed some time to think and process everything I had read.

While this is a psychological thriller, it's also so much more than this. I can't say much about the plot without giving anything away. But it is complex and intelligent, filled with social and political conscience and some highly topical and ethical contemporary themes. It is bang up to date, focusing on the plight of the underdog against the big property developers. The writing is stunning, drawing the reader in. This is a masterclass with its multi-layered plotting, realistic characters and twists that actually work.

I don't think I've ever been so invested in a book's characters before, shaken and shocked by events as they unfolded right until the bitter end. This is a powerful twisty thought-provoking read and one I won't forget easily - if at all. It's also a book that people will be talking about for a long time, as anger, compassion and frustration ooze off every page.

Eva Dolan is a force to be reckoned with. This is How it Ends is her best novel yet - a book that will challenge you and leave you reeling.

Sunday, 24 January 2016

AUTHOR IN THE SPOTLIGHT - Eva Dolan - Blog Tour

I am delighted that EVA DOLAN is joining me on my blog today as my Author in the Spotlight, as part of her Blog Tour. Eva's book - After You Die - was published by Harvill Secker on 14 January 2016. 



What was the original inspiration behind the characters and setting of your novels?
The characters came fully formed when I realised I was going to be setting the series in a Hate Crimes department. I conceived it as something of a dumping ground - sorry Zigic and Ferreira! - a unit created for political reasons, the local constabulary's way of proving that they were taking the newly passed Hate Crimes laws seriously. Thinking about what kind of officers would be placed there I decided it would be staffed by people of immigrant backgrounds, those sensitive to the community's challenges and suffering, ones who would speak the languages they would encounter and be regarded as more approachable than 'English' coppers.
So Zigic is a third-generation Serb - essentially English in all but name. While Ferreira came to the UK as a child from Portugal and has grown up in a migrant community. As a result she is more sympathetic to victims and far less tolerant of aggressors.
Peterborough felt like the perfect location to drop this team into because it has seen such a high influx of migrants in recent years, something the locals haven't adapted well to, leading to a lot of social unease and political tension.
After You Die moves the action out of those streets, though, and into a pretty commuter village on the edge of the city. It's affluent, comfortable, the kind of place my detectives rarely find themselves working but crime they encounter is as brutal and callous as any they've investigated previously.

The community dynamic is quite important within the wider context of the plots - what research or experience allowed you to make it feel so authentic?
Part of the reason I moved After You Die out to a village was that I wanted to explore a different kind of community and the dynamics within it. For the first two books I was writing about relatively closed-off groups, separated by culture and language, their families and friends left behind in other countries. Getting the feel right was largely a matter of talking to migrant workers and seeing how they felt about their new lives in England, there was just no other way to get that sense of authenticity.
With After You Die it was a much simpler proposition because I've always lived in villages like the one I've used. And, oddly, there is less of a sense of community. Anywhere around Peterborough with high property prices and that feeling of, perhaps, slightly smug, aloofness, is generally occupied by London commuters, people who work long hours and have very little to do with most of their neighbours. So, instead, you get these cliques, very close, almost incestuous, groups who know everything about one another and not much about anyone else. Still, gossip thrives and murder tends to shake peoples' belief in the safety of their own lives.

After You Die finds our pair investigating something a little different from the previous two stories - what made you decide to branch out and do you think you will continue to expand THEIR experiences?
Being based in a Hate Crimes Unit the series is, by definition, solely concerned with crimes which are motivated by racial or religious prejudice, homophobia and transphobia, or in this case disability-related harassment. I felt like I'd already dug deep into the more overtly political crimes in the previous books and wanted to switch to a more family-based, personal one this time.
Disability-related hate crimes are actually horribly common - Mencap suggests that around 90% of disabled people will be targeted in their lifetime - and yet we hear very little about this in comparison to racism or even homophobia. I wanted to bring this matter to light and explore how it affects those suffering, people who are already some of the most vulnerable in our society, dealing with the daily challenges of their disability.
Without giving spoilers...the investigation resonates particularly with Ferreira, who is struggling with the aftermath of injuries sustained in the line of duty and it was interesting, as an author, seeing how she would cope. Zigic and Ferreira are developing from book to book in ways I didn't expect. They have their secrets and I'm still uncovering them as I go along. I don't like to know too much about my main characters, I'd rather investigate them as the stories develop.

Describe your writing style in 10 words or less?
Argh, I can't do that! Nobody really knows what their writing style is. We need readers and critics to tell us that. I hope I write relatively elegantly, as a reader I prefer spare, well balanced prose and it's what I aspire to stylistically.

Do you have any strange writing habits?
Strange, me? I'm quite a superstitious writer. I won't discuss what I'm working on until it's finished because it's such a weird, random process that I feel talking about it somehow breaks the spell. I only ever write at night now as well, having found I can do the same amount of work in four dark hours as nine daylight ones. It's just so much quieter, no online distractions, no psychic background hum. It's easier to access your subconscious after midnight for some reason.

Who are your favourite authors?
Crime wise - I'm not doing this because there are too many list and I'll inevitably forget someone.
Non-crime - Cormac McCarthy, Irvine Welsh, Margaret Atwood, Graham Greene, Richard Yates, Emile Zola, Honore de Balzac, Stefan Zweig. I could go on all day...

If you were writing a book about your life, what would the title be?
Something punning? Isn't that the law? I'm rubbish at puns. If only Hunter S Thompson hadn't already taken 'The Rum Diary.'
I don't think anyone would read a writer's life story either. Maybe Graham Greene's or James Ellroy's. Mine, not so much. 'Got up, did messages, ate toast, wrote some stuff.'
I'd probably go for '24/7 Pjs' as a nod to the writer's uniform.
Also, I'd want the audio book version read by Kathy Burke because we sound quite similar.

What advice would you give your younger self?
Don't sleep in your make-up!

What advice do you have for aspiring authors?
Read loads. Talk to weird people. Develop a rhino skin and a drink problem and always make sure you're nicely turned out.

And lastly, why should people read After You Die?

Because it's an important issue, which doesn't get enough attention, explored through the suffering of a very strong and eloquent teenaged girl who has fought to have her voice heard against a barrage of online trolls who want to silence her work as a right-to-die advocate. It's also a story about families and how they cope in the aftermath of tragedy. Secrets, lies, affairs, murder; all that good crime stuff.

About Eva Dolan

Eva Dolan is an Essex-based copywriter and intermittently successful poker player. Shortlisted for the Crime Writers’ Association Dagger for unpublished authors when she was just a teenager, her début novel Long Way Home, the start of a major new crime series starring two detectives from the Peterborough Hate Crimes Unit, was published in 2014 to widespread critical acclaim.

Follow Eva on Twitter - @eva_dolan

After You Die
By Eva Dolan
Published by Harvill Secker (14 January 2016)
ISBN: 978-1910701010



Publisher's description
Dawn Prentice was already known to the Peterborough Hate Crimes Unit.

The previous summer she had logged a number of calls detailing the harassment she and her severely disabled teenage daughter were undergoing. Now she is dead – stabbed to death whilst Holly Prentice has been left to starve upstairs. DS Ferreira, only recently back serving on the force after being severely injured in the line of duty, had met with Dawn that summer. Was she negligent in not taking Dawn’s accusations more seriously? Did the murderer even know that Holly was helpless upstairs while her mother bled to death?

Whilst Ferreira battles her demons, determined to prove she’s up to the frontline, DI Zigic is drawn into conflict with an official seemingly resolved to hide the truth about one of his main suspects. Can either officer unpick the truth about mother and daughter, and bring their killer to justice?

Read my review here.


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