Showing posts with label book blogs. Show all posts
Showing posts with label book blogs. Show all posts

Friday, 29 January 2016

The Woman Who Ran by Sam Baker

The Woman Who Ran
By Sam Baker
Published by Harper Collins (28 January 2016)
ISBN: 978-0007464357





Publisher's description
When someone is under your skin, there is only so far you can run…
She can run.
But can she hide?
Helen Graham is a new arrival in a tiny Yorkshire village, renting dilapidated Wildfell Hall. The villagers are intensely curious – what makes her so jumpy and
why is she so evasive?
Their interest is Helen’s worst nightmare. Looking over her shoulder every day, she tries to piece together her past before it can catch up with her.
With everything she knows in fragments, from her marriage to her career as a war photographer, how can she work out who to trust and what to believe?

Most days she can barely remember who she is…

My verdict
The Woman Who Ran is a psychological thriller about a woman in hiding, following an apartment fire in Paris. The book kept me intrigued until the final pages, as I wondered what or who she was running away from - and why.

Helen Graham can't remember why she was in that burning apartment, and runs off to a Yorkshire village to try to regain her memories of that night. She attempts to stay off the local radar, but the villagers are intrigued about this mysterious woman living in the dilapidated Wildfell Hall. Retired journalist Gil is drawn to Helen and begins to investigate her background. He soon discovers that she's an award-winning news photographer, who was married to a well-known British war journalist who died in the apartment fire. But why is she now in hiding?

The plot moves along at a reasonable pace, as Gil stumbles upon a story of trauma, passion and deception and Helen recovers her memories. You can tell this book is written by a journalist, as the main journalist character is a NICE guy, rather than being portrayed as ruthless and immoral (as in so many other books). I can see this book appealing to fans of other popular psychological thrillers, such as The Girl on the Train and Gone Girl.

I received an Advance Reader Copy from the publisher through Lovereading in exchange for an honest review.

Wednesday, 16 December 2015

The Menagerie adult colouring book

The Menagerie: Animal Portraits to Colour
Published by Michael O'Mara Books (12 November 2015)
ISBN: 978-1910552155





My verdict
The Menagerie is an amazing colouring book. The pages are slightly larger and thicker than other books I have reviewed so far. Each page is single sided, which is brilliant as you don't need to worry about any bleed through. And every page is perforated near the book spine, so you can easily tear them out and display them without ruining the book.



As expected, the pictures are all of animals, from a stag and a giraffe to a red panda and a zebra. They are in gorgeous detail, but you can choose whether to colour in every little space or just colour in larger areas.



Most have backgrounds already printed on them but you can always add your own or colour these in yourself.

This work in progress (Bengal tiger) is coloured with Faber-Castell Polycromos pencils (a range of just 24 goes a long way!). Here, I've coloured in some larger areas to create more impact.



This Work in Progress (hippopotamus) is being coloured with a mixture of Staedtler triplus colour pens, Staedtler Fineliners and Stabilo point88 pen - none of which bled through. I am colouring in every little area to show the detail.




The Menagerie will delight people of all ages. My youngest son (age 12) 'stole' one of my pages (the llama) to colour - although I have now bought him his own copy of the book.



I received an Advance Reader Copy from the publisher in exchange for an honest review.

Thursday, 1 October 2015

The Jackdaw by Luke Delaney

The Jackdaw
By Luke Delaney
Published by Harper Collins UK (Paperback - 24 September 2015)
ISBN: 978-0007585700



Publisher's description
Guilty or not guilty?
A lone vigilante is abducting wealthy Londoners and putting their fate in the hands of the public. Within hours of disappearing, the victims appear on the internet, bound to a chair in a white room.
Revenge or mercy?
Their crimes of greed and incompetence are broadcast to the watching thousands who make up the jury. Once the verdict is cast, the man who calls himself ‘The Jackdaw’ will be judge and executioner.
Live or die?
DI Sean Corrigan and his Special Investigations Unit are under pressure to solve this case fast. But as The Jackdaw’s popularity grows, Corrigan realises he’s hunting a dangerously clever and elusive adversary – one who won’t stop until his mission is complete.

My verdict
The Jackdaw is a fast-paced police procedural thriller with lots of twists and turns. This is the fourth DI Sean Corrigan novel. I haven't read the first three books in the series, so read this as a standalone. Although I was missing previous background information to some of the key characters and their relationships, I don't feel that this detracted from the plot.

A hooded vigilante known as the Jackdaw is kidnapping wealthy Londoners, all with links to the greedy banking industry. Putting them on trial on 'Your View' (a YouTube equivalent), he invites his audience to be the jury, voting whether the victims are guilty or not guilty. Once the public has voted, the Jackdaw gets the final word as judge and executioner. As the Jackdaw's popularity grows, journalist Jackson will do anything to get a front page story. And DI Sean Corrigan is under pressure to solve the case.

I was engrossed in The Jackdaw all the way through and couldn't put it down. I love the author's writing style - intriguing, very visual and highly polished. DI Corrigan's character is well developed, and it's clear that he has a very dark, damaged and possibly destructive personality.

Hopefully I will read the first three books soon. And I will be looking out for the fifth book in the series when it's published.

I received an Advance Reader Copy from the publisher through NetGalley in exchange for an honest review.

Thursday, 20 August 2015

AUTHOR IN THE SPOTLIGHT (and book extract) - Virgina Macgregor - BLOG TOUR

I am delighted that VIRGINIA MACGREGOR is joining me on my blog today for her What Milo Saw Blog Tour. Virginia's book - What Milo Saw - was published by Little Brown on 13 August 2015. After the interview, scroll down to read an extract from What Milo Saw.



So Virginia, what inspired you to become a writer?
I was read to from a young age and grew up in a family that was forever telling stories – creating my own tales and putting them on paper was the natural next step and when I heard that being a writer was a proper job, well, my fate was sealed.  

Where did you get the idea for What Milo Saw?
I’d been wanting to write about the way in which we care (or fail to care) for older people in the UK for a long time but it was only when I created Milo that I knew I had a character who could carry that story with sensitivity, love and humour.

Describe your writing style in 10 words or less?
Funny. Quirky. Warm. Moving. Unexpected. Contemporary.

Do you have any strange writing habits?
I have a few objects on my desk that inspire me: a blank, white photo frame that I look to when I need an idea; a jar of stones which reminds me to prioritise (see my blog post on this); a small candle that I light before I start writing; lots of pictures, for example of the animals in my stories (pigs, dogs, foxes, goats…). I even have a croched Hamlet that an amazing crochet artist made for me! I love to surround myself with things from the world of my novels.

Are you a plotter or a pantser? Do you plot out the whole book before you start or just start writing and see where it leads you?
I know what my opening scene is, that’s very important. I have some idea of the closing scene and then I plan as I go: I do a colourful mindmap for each scene that I’m about to write and more mindmaps of characters, locations etc. So, a bit of both.

What led you to focus on retinitis pigmentosa in What Milo Saw – and how did you research the impact of this condition?
When I created Milo, I knew that, simply by virtue of his character, he would have a very particular view on the world. At the same time, I wanted to explore the issue of how children with disabilities of any kind (physical, emotional, social) have the most amazing capacity to compensate and sometimes achieve incredible things. I’m very short-sighted so I’ve always given a lot of thought to sight and how hard it must be for people who have visual impairments. When I talked to my optician about this she told me about a little boy she cared for who has RP. From that moment, I did all the research I could: I read books, I joined forums, I got in touch with charities like Blind Children UK, the RNIB and RP Fighting Blindness. I was also moved by the news story of six-year-old Molly Bent who created a bucket list of the things she wanted to see before she went blind.

How easy was it to write from the point of view of a child? And has Milo turned out to be even more adorable than you originally planned?
Milo’s voice came very naturally. Writers often say that the child part of them is still very much alive and I think that’s true of me. Being a teacher has also helped as I get to see the world through the eyes of young people. Capturing his voice and so the voice of a child came through the process of writing: the more I wrote in Milo’s voice, the closer I felt to him. Within a few chapters, it felt like he’d jumped off the page and started walking around in the real world. It has given me so much joy to see how readers have fallen in love with Milo in the same way that I have.

Who are your favourite authors?
So, so many (and the list is growing all the time). Here are a few: Anne Tyler, Carol Shield, Jon Mcgregor, Barbara Kingsolver, Jodi Picoult, Charles Dickens, Jonathan Safron-Foer, Richard Ford, Sue Townsend, Michael Ondaatje, Roald Dahl, Nick Hornby.

How has your life changed since becoming a published author?
It has changed hugely. It feels as though I have been given permission to do what matters most to me in the world. There’s no greater gift than that.

If you were writing a book about your life, what would the title be?
‘Dancing in the Rain’. I love the rain and I love the idea of being positive and energetic no matter what the weather (literally and metaphorically). Oh, and my husband makes fun of my dancing – apparently I have no rhythm, so the title is ironic too.

What advice do you have for aspiring writers?
Write every day.
Write what you love to read.
Never give up.

And lastly, why should people read What Milo Saw?
Milo is a book that touches our lives on so many levels: there is something for every kind of reader. It explores the complex nature of human relationships from the love of a little boy and his Gran to the struggles of a single mum abandoned by her husband; it tackles some of the biggest social issues of our age: immigration, the crisis in nursing homes, children living with disabilities; it is quirky and funny but also very sad at times. Above all, it tells a gripping story of a remarkable little boy who helps us see the world a little differently.

Here's an extract from What Milo Saw, a gorgeous heartwarming book:

Milo sat at the computer on the landing listening to the shush-shushing of the firemen’s hose on the drive. The firemen had only just let them back into the house.
‘I want a list of nursing homes,’ said Mum.
‘Can’t Gran stay till Christmas?’
Gran was Dad’s gran and Milo’s great-gran but everyone just called her Gran.
Milo turned his head to look at the fairy lights he’d wound round the banisters leading up to Gran’s
room. He’d had the idea when he saw her struggling to find the light switch.
Mum guided Milo’s head back to look at her and said ‘No.’
‘But . . . ’
‘Don’t insist,’ said Mum and then pinched shut her mouth.
Don’t insist was Mum’s favourite phrase of all time.
‘But Mum – the fire was my fault, I should have gone down to check.’
And it was true. Every morning when Gran padded down the stairs from her room under the roof all the way to the kitchen and made her cup of sweet, milky tea, it was Milo's job to make sure she was okay. He'd lie in bed and listen for clues:
1. The clink of Gran’s tartan mug as she pulled it off the mug tree.
2. The suck and pop of the jar with the tea bags.
3. The rattle of the cutlery drawer as she took out her favourite teaspoon, the one made of real silver
with a kink in its handle.
4. The kettle filling up (though usually Milo tried to remember to fill it up the night before because
Gran’s wrists were weak and she struggled to hold the weight of so much water).
5. The click of the switch on the kettle.
6. A pause.
7. And then the water heating, steam pushing at the lid, bubbles rolling over each other like a hot sea, and then another click when it was done.
8. Sometimes, after step 3, Gran forgot they had a kettle and she’d open the saucepan drawer and fill a pan up and light the stove. That was the cue for Milo to swing his legs out of bed and come downstairs.
They had a gas hob and Gran wasn’t allowed to use it.
Milo didn’t know why he missed the sound of the saucepan drawer that day. He must have been
sleepy or maybe Gran was extra quiet, but by the time he felt the flutter in his chest which told him
that Gran needed him, and by the time Hamlet was squealing his head off in the garage because he’d
swallowed too much smoke, it was too late, the kitchen was on fire.
‘It’s not your responsibility to check on your gran,’ said Mum.
She leant in and kissed Milo’s hair. She was always doing that: telling him off and then kissing him.
She smelt of burnt things and sticky perfume and sleep.
‘When all this is over, I’ll let Hamlet stay in the house,’ she said.
Milo leant under the desk and gave Hamlet a rub between his ears. The only reason he was allowed up here now was because the fire had scared him.  Milo hated the fact that Hamlet had to live in the garage all by himself: the garage was cold and damp and didn’t have any windows. No one should live like that. But if Milo had to choose between Hamlet coming out of the garage or Gran getting to stay with them, he’d have to pick Gran. Hamlet would understand.
Mum looked over Milo’s shoulder at the computer screen.
‘We don’t want anywhere fancy, Milo, Gran wouldn’t like that.’
So Milo tried typing not fancy nursing homes into Google but Google didn’t get it and wrote back: did you mean fancy nursing homes?
Once Milo had stationed Gran safely on the drive and once he’d yanked open the main door to the
garage and got Hamlet out of his cage and given him to Gran to look after, he’d come back inside and screamed: Fire! Fire! Mum! There’s a fire!
Mum had come tearing down the stairs and out of the house, her non-make-up face all pale and puffy. When she saw Gran she didn’t ask how she was and she didn’t say she was relieved that Hamlet was safely out of the garage and she didn’t tell Milo well done for having saved everyone. She just yelled the same words over and over:
This is the last straw. This is the last bloody straw.
Milo and Gran both knew what the last bloody straw meant: it meant that Gran was going to a nursing home.
Mum jabbed a chipped pink nail at the computer screen.
‘Those rooms are far too big,’ she said. ‘Gran will feel lost.’
So Milo did a search for nursing homes with small rooms. But then he thought about all the stuff
Gran had upstairs, like Great-Gramps’s bagpipes and his uniform and the boxes of letters he’d written her and her map of Inverary and the picture of her fishing boat and her small radio and how she’d want to take it all with her.
‘It’s not coming up with anything.’ If Milo made Mum feel it was a hassle, maybe she’d back down.
‘Oh, for goodness sake, Milo.’ Mum looked up the stairs to Gran’s room and scratched a red bit on
her throat. Then she leant in and whispered, ‘Just find somewhere cheap.’
Mum wrote the word CHEAP on the back of an envelope and placed it right in front of Milo so it
wasn’t lost in the fuzzy bit of his vision. He ran his fingers over the word; she’d pressed so hard on
the pencil that the letters felt bumpy.
‘I’ve got to make the firemen some tea.’
Still in her nightie (the frilly one that looked like the kitchen curtains, or how they looked before they
caught fire and turned into black moths on the linoleum floor), Mum rushed back downstairs. Milo
heard the cupboard door open and the rustle of the Hobnobs packet. The plastic kettle had melted, so Milo didn't know how Mum was going to boil water for the tea.
Milo wasn’t going to let Mum stick Gran in a nursing home. He’d pretend to go along with it and
then Mum would calm down and realise that Gran belonged right here in the small room Dad had
converted for her under the roof, and that Milo was the best person to look after her. Then they’d have a proper Christmas, the four of them: Milo, Gran, Hamlet and Mum.
Milo scanned down the list of homes on the screen. They all had garden centre names like Acorn Cottage and Birdgrove and Beechcroft Hill and Bird Poo View. He made up the last one.
Milo typed: not cheap nursing homes into Google and waited for a new page to load.
‘Found anything yet?’ Mum called up the stairs.
The burnt smell had crept into the carpet and curtains and walls and was making the back of Milo’s throat tickle.
He coughed and called back: ‘Nearly!’
‘Well, when you have, give me the phone numbers and I’ll organise some visits.’
Milo didn’t answer.
Above him, the floorboards creaked and then water juddered through the pipes. He hoped Gran would remember to turn off the tap. As soon as he’d finished making this stupid list, he’d go up and tell Gran that there was no way he was going to let Mum kick her out. He’d work out a plan that guaranteed she could stay, and not just for Christmas.

About Virginia Macgregor

Virginia Macgregor had a nomadic early childhood, moving between Germany, America, Corsica and Oxford, where she finally settled at the age of four. It was here that she wrote her first words and fell in love with the English language.  After graduating with First Class honours from Oxford, she did a PGCE and went on to teach English and to work as a housemistress. Virginia now writes full time and lives in Berkshire with her husband and baby daughter.

Find Virgina Macgregor on Facebook here and find Virginia on Twitter - @virginiawrites



What Milo Saw
By Virginia Macgregor
Published by Little Brown (13 August 2015)


Publisher's description
Nine-year-old Milo Moon has retinitis pigmentosa: his eyes are slowly failing and he will eventually go blind. But for now he sees the world through the pin hole and notices things other people don't. When Milo's beloved gran succumbs to dementia and moves into a nursing home, Milo soon realises there's something very wrong at the home. The grown-ups won't listen to him so with just Tripi, the nursing home's cook, and Hamlet, his pet pig, to help, Milo sets out on a mission to expose the nursing home and the sinister Nurse Thornhill.

Click here to read my review.

Have you followed the Blog Tour?

Friday, 14 August 2015

Murder in Malmö by Torquil Macleod

Murder in Malmö
By Torquil Macleod
Published by McNidder & Grace Crime (23 July 2015)
ISBN: 978-0857161147



Publisher's description
A gunman is loose in Malmö and he's targeting immigrants. The charismatic head of an advertising agency is found dead in his shower. Inspector Anita Sundström wants to be involved in the murder investigations, but she is being sidelined by her antagonistic boss. She is assigned to find a stolen painting by a once-fashionable artist, as well as being lumbered with a new trainee assistant. She also has to do to restore her professional reputation after a deadly mix-up in a previous high-profile case. Then another prominent Malmö businessman is found murdered and Sundström finds herself back in the action and facing new dangers in the second Anita Sundström Malmö mystery.

My verdict
Murder in Malmö is the second book in the Malmö series and is even better than the first.

In this gripping book, Inspector Anita Sundström is searching for stolen paintings, all painted by a once-fashionable artist who is back with a new exhibition. Thanks to her previous actions, Anita has been sidelined by her boss. Instead, it's her colleagues who get to investigate a series of high-profile murders. At the same time, a gunman is targeting immigrants in Malmö.

I really enjoyed this book. Anita is a tough female protagonist, determined to hold her own in a male-dominated workplace, with a feisty independent streak. A variety of strong characters push the story along, while the historical/political background was an interesting read.

This is a complex storyline, with three interlinked crimes, and has been plotted exceptionally well. Although the book can be read as a standalone, I think it would make more sense to read the first book (Meet Me at Malmö) beforehand, to understand Anita's background and the dynamics between the police team.

I received an Advance Reader Copy from the publisher in exchange for an honest review.

Wednesday, 5 August 2015

Techbitch by Lucy Sykes and Jo Piazza

Techbitch
By Lucy Sykes and Jo Piazza
Published by Penguin (4 June 2015)
ISBN: 978-1405918688



Publisher's description
Imogen Tate, editor-in-chief of Glossy magazine, is a legend in the fashion world. But when she returns from a sabbatical to find her twenty-six-year-old former assistant, Eve Morton, behind her desk, she realises times are changing.
Armed with a business degree, naked ambition and an iPhone, Eve announces she has been brought in to turn Imogen's beloved magazine into an app. With herself at the helm.
In this terrifying new world, Imogen is almost invisible. In place of her team of dedicated staff is a constantly evolving line of twenty-something bloggers at their desks day and night ('Only losers need sleep!'), amateur snaps instead of elegant photo shoots, and a URL address in place of Imogen's glossy pages.
But Imogen isn't ready to give up her hard-earned career without a fight. Where Eve has Twitter followers, Imogen has experience, talent and real relationships, and she's prepared to fight for the fashion world she knows and loves. Even if it means going to war with a ruthless Techbitch ...

My verdict
Techbitch made my laugh out loud in several places. Having worked in the consumer magazine industry for several years, I recognised many of the different character types. The book certainly blends fiction and reality well.

Imogen is an Editor in Chief in the cut-throat fashion magazine industry. But after six months of sick leave, she's back to work to discover that everything has changed. Glossy magazine is now turning into an app, enabling people to click and buy fashion items as they read, rather than a newstand magazine. And it's being run by her former assistant, Eve, who is now a Harvard graduate, completely ruthless and will stomp on anyone to get to the top.

Techbitch is a well-written fast-paced 'chick lit' read filled with many fantastic characters. And there's hardly any romance in sight, focusing mainly on the workplace, which certainly makes a change. I was rooting for Imogen all the way through, wanting her to give Eve a good shove (out the window of a tall building).

My only bugbear was that I was 'surprised' that Imogen was so un-tech savvy and that everything at Glossy had changed so much in six months - Instagram, Snapchat and Twitter have been around for a lot longer than this. And she's only in her 40s - I could understand if she was much older than this. But otherwise, Techbitch was a great read.

I received a copy from the publisher in exchange for an honest review.

Wednesday, 15 July 2015

AUTHOR IN THE SPOTLIGHT - Neil White - BLOG TOUR

I am delighted that NEIL WHITE is joining me on my blog today for his Blog Tour. Neil's latest book - The Domino Killer - is being published by Sphere on 30 July 2015. 





So Neil, what inspired you to write a book in the first place?
I wanted to write because I thought I could. That’s as simple as it gets, really. When I was at school, it was the one thing I was any good at.  Once I started writing, however, it was much more difficult than I’d imagined and I gained a new respect for those who’d put together a book. I went from thinking I could write to realising that I would have to work at it, and that it might turn out to be a long and difficult road. In fact, it turned out to be twelve years from first starting to signing a deal, with many bumps along the way.

Where do your ideas come from?
Thankfully, I only have to come up with one idea a year. I tend to look for things in real life as inspiration. For instance, my fourth book, Dead Silent, was based around the notion of what would happen if a reporter located Lord Lucan (the main character in that book was a crime reporter). Once I’d decided on that, I just changed and adapted the plot and characters until it reflected what I wanted.

Have your personal experiences influenced your writing? And if so, how?
They are bound to, and I do often use things from my own life as little asides or instances, or people I’ve met end up as characters. What I don’t know is how different the books would be if my experiences had been different. The books reflect me, I suppose, and I do try to make them northern and blunt, like a thump on the nose. If my life had been different, perhaps I’d have made them more flowery or wordy. As it is, I’ve settled for a thump on the nose.

Describe your writing style in 10 words or less?
Pacy, not too flowery, but easy to read.

Do you have any strange writing habits?
I’m very much a person of routine, principally because I’m scared of not finishing a book. I try to write a thousand words a day, and the first thing I do in the day is try to edit what I’d done the night before. A midnight poetic ramble can feel like pretentious nonsense when in the harsher light of morning.

Do you plot out the whole book before you start or just start writing and see where it leads you?
I try to sketch out an idea of what the book will be about but never the whole book, as I feel like I just don’t have time. I tend to sketch out the first fifth, the first twenty thousand words or so, which gets me off the ground. Once I get to that point, I sit down with a bottle of wine, a pad and pen, and try to sketch out the next fifth.

What do you consider to be the hardest part of your writing?
The next word. I live in fear of getting stuck, and the worst part is when I’m around two-thirds through. I know the ending, I’ve written the first half, but how do I get to the end from where I am? It’s too near the end to rip it up and start again. And reviews. I don’t read them. Like most new writers, I hogged Amazon when I first started out, but I realised it was unhealthy. I wasn’t looking for constructive criticism, I was looking for gushing praise, and any lack of it would ruin my evening. So now I don’t look for reviews. The book is done, I can’t change anything, so let it fly and people will think what they think. Blissful ignorance is better sometimes.

How do you juggle your two careers - a criminal lawyer and a crime fiction author?
With difficulty. Time is precious, and fitting in writing books around a mentally tiring job like being a lawyer makes it hard. I’ve no current plans to give up being a lawyer but there might come a point when I decide I have to do one or the other.
Being a criminal lawyer does help me in my writing though, because it’s a world I’m comfortable in, but equally the mental effort required does sometimes feel like I’m not devoting enough to my writing.
I regard my writing as my main job now, although if we met at a dinner party, I would introduce myself as a lawyer, not a writer (unless you were a TV producer!). I think it’s because being a lawyer is what I am, what I trained to do, whereas writing is something I’ve managed to fluke. I feel privileged to be able to make a living from something I enjoy doing. I don’t treat it lightly.

Do you read? If so, who are your favourite authors?
I don’t read as much I’d like, due to the lack of time, but I’m a bit of a flitter. I don’t tend to follow a particular author or series but buy what I think looks good. There are some reliable ones though. I will usually buy a Michael Connolly or Lee Child or James Lee Burke or Greg Hurwitz. I have read a lot of British fiction recently, which was something I tended to avoid. I’ve always preferred American crime fiction as it is more escapism for me. British crime fiction will commonly touch on criminal law, and too many people get too many things wrong, which spoils the reading. If I read American fiction, I have no idea if it is right or wrong so I can just relax and enjoy the story.

If you were writing a book about your life, what would be the title?
'That Worked Out Okay'
I’ve been lucky and I know it. I was unemployed for so long during the eighties and was able to reinvent my life at a time when going to university wasn’t financially crippling. I was able to enter criminal law at a time when it was a profession worth entering. Now, the only people practising criminal law are the useless or those too old to change. I was lucky enough to land a publishing deal when so many others didn’t. I do wake up often and I’m still in that bedsit in Bridlington, with no money for food or heating and not knowing when the next good quid is coming from. I got lucky and I know it, and if it ended tomorrow I would smile about it.

What advice do you have for aspiring writers?
What you write at first will not be very good. If you think it is, you’re doing it wrong. Keep going, persevere, and eventually something will work out. Don’t try to be clever. Just write the story.

And lastly, why should people read your latest books?
People should read my latest paperback, The Death Collector, and hardback, The Domino Killer, because they're pacy and exciting and the pages will just turn. And because my children eat so much. And they might want to go to university, which is really expensive.

About Neil White
Neil White grew up in Wakefield in West Yorkshire before moving to Bridlington, a fish and chips town on the Yorkshire coast. He drifted there into his mid-twenties before returning to education and eventually qualifying as a solicitor in 1995. He is a criminal lawyer by day and a writer by night. He is published by Sphere and his ninth book, The Domino Killer, is the final book in the Parker brothers trilogy, with the second in the trilogy, The Death Collector, released in paperback in July 2015. His books are translated into French, German, Russian and Polish.


Find Neil White on his official Facebook page and follow Neil on Twitter - @neilwhite1965

The Domino Killer
Published by Sphere (30 July 2015)




Synopsis: 
When a man is found beaten to death in a local Manchester park, Detective Constable Sam Parker is one of the investigating officers. Sam swiftly identifies the victim, but what at first looks like an open and shut case quickly starts to unravel when he realises that the victim's fingerprints were found on a knife at another crime scene, a month earlier.
Meanwhile, Sam's brother, Joe - a criminal defence lawyer in the city - comes face to face with a man whose very presence sends shockwaves through his life. Joe must confront the demons of his past as he struggles to come to terms with the darkness that this man represents.
Before long, Joe and Sam are in way over their heads, both sucked into a terrifying game of cat-and-mouse that threatens to change their lives for ever...

Click here to find it on Amazon UK.