Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts

Monday, 5 August 2019

Crime Fiction Coach - check out the new Facebook group features!

Are you writing crime fiction? Need a helping hand?

Wondering why crime writers are flocking to join Crime Fiction Coach on Facebook - an online writing group run by Susi (SJI) Holliday, Steph Broadribb, Louise Voss & AK Benedict?




Well there's only one way to find out... 

You can join the Crime Fiction Coach online writing group on Facebook by clicking here

Here's your chance to learn more about crime writing and publishing and get hints and tips from writing coaches and published authors.


New monthly features

Crime Fiction Coach has introduced several new monthly features. These include:

1. 'Reading as a Writer' Book Group - analyse a crime thriller and share your thoughts in a live discussion with the author about how they wrote the book. Reading 'as a reader' is a very different experience to reading 'as a writer' - working out how the author built up the suspense and atmosphere, shocked their audience, structured their plot, created believable characters, conveyed emotions and themes etc. The first book club pick is The Last Stage by Louise Voss (published by Orenda Books).

2. CFC Monthly Challenge - use a specific prompt to write a short story or a scene in a novel (of up to 500 words), with a prize for the winner.

There's more ... including a hot monthly topic of discussion.

But you'll have to join the Facebook group to find out exactly what else is going on.

One-to-one advice

The Facebook group offers plenty of free advice in a fun and relaxed atmosphere. But if you're looking for specific help, Crime Fiction Coach also offers one-to-one coaching services and can help you through all stages of the writing process:

  • gathering together your thoughts and ideas
  • finding the writing process that works for you
  • keeping you motivated
  • writing a first draft
  • wading through the editing process
  • offering honest constructive critique
  • creating a polished manuscript to submit to agents and publishers. 

You can visit the Crime Fiction Coach website here to learn more about their paid services and join the mailing list for an introductory discount. 

Plus, you can follow Crime Fiction Coach and the four brilliant authors on Twitter:

@CrimeCoach
@SJIHolliday
@crimethrillgirl (Steph Broadribb)
@LouiseVoss1
@ak_benedict (currently on maternity leave)

Thursday, 25 July 2019

Working in the Music Business - a guest post by Louise Voss

Today, I am delighted to welcome Louise Voss to Off-the-Shelf Books to talk about how working in the music business has influenced her novels. The Last Stage was published by Orenda Books on 11 July 2019.


Working in the Music Business
(and how it influenced my novels)
By Louise Voss





I worked in the music business in the 90s, and it was such a profound experience that it has since featured in both my first and last novels.  The main characters in both To Be Someone and The Last Stage, Helena and Meredith respectively, were female popstars from successful 80s bands who subsequently had to come to terms with some of the less pleasant aspects of fame. 

I was originally planning to make the latter a sort of sequel to the former, a sort of ‘twenty years later’ story, since that’s almost the amount of time between publication dates, but as The Last Stage evolved, it became clear to me that the two women were very different, in both personality and appearance as well as their respective music tastes, so I made Meredith into a brand-new character instead. But the band threads remain in both novels, albeit very differing stories – The Last Stage is a crime novel, whereas To Be Someone was contemporary fiction. Unlike both Helena and Meredith, however, I was never a performer – perish the thought – but working with bands both big and small for years gave me a real insight into the joys and pitfalls of success, and how an act can go from being a bunch of kids messing around with guitars to selling out Wembley Stadium.

It was 1992, I was in my early 20s and a music nut, going to as many gigs as I could while working in a London school of architecture as an administrator during the day.  It had literally never occurred to me that I could make a career doing what I loved; not until someone told me about an employment agency specialising in jobs in music, so - in those pre-internet days - I rang them up. They told me to write in. The only problem was, the agency was (and still is) called Handle Recruitment, and I addressed my letter to Handel, after the composer. Talk about overthinking! 

Fortunately they didn’t write me off as illiterate. I got my first industry job, PA to the International MD of Virgin Records, joining right after Richard Branson sold out to EMI for a billion dollars. Whilst I was disappointed that I’d missed out on his legendary parties, I was also relieved to escape the potential fate of many female employees: being lifted up round the waist by him and chucked into a nearby swimming pool…

There were many other parties though, and the job immediately lived up to expectation. Record launches, leaving dos, album playbacks, aftershow bashes, awards ceremonies… The record business in the 90s was in my memory a strange mix of big business and quirky debauchery. Hospitality budgets were eye-wateringly huge. I remember the Christmas presents bought for some of the bigger artists – thousand-pound silk dressing-gowns from Harrods, expensive sound systems. Like they needed them! I used to think. 

People were mostly lovely, although with a few notable egos. One female exec had risen up through the ranks (helped in no small part by marrying her boss). Part of my job was organising the annual conference abroad for international executives, and once I dared query something she’d suggested. She shouted at me: ‘How DARE you question me! I’ve been running this company for twenty years!’ Not only did she not run the company, but she was 34 at the time…. 

A different boss I had at another record company famously got banned from British Airways for saying something so offensive to a stewardess that I still can’t repeat it without blushing. This was the company where the in-house drug dealer did regular Friday afternoon rounds of the office…so I won’t name that one! 

I loved working at Virgin. Not only did I make lots of friends I’m still in touch with, but I met my first husband there. Later in the 90s we relocated to New York to work for a Virgin subsidiary called Caroline Records. It was so interesting, going from working with huge bands at the top of their game, to brand-new starry-eyed acts whose first albums had just been signed. We promoted Ben Folds Five and the Chemical Brothers at the start of their careers, I also marketed Frank Sinatra’s grand-daughter’s band, and an act called The Del-Rubio Triplets, identical octogenarians in short skirts and cowboy hats…never a dull moment.  

I took it all for granted, the business flights and freebies, seeing bands every night, the backstage passes for all the Virgin and EMI acts who came to town. I went to Bowie’s 50th birthday concert at Madison Square Gardens, Peter Gabriel’s flat in New York, had my photo taken with Blur, dinner with the Smashing Pumpkins and a hug from Lenny Kravitz. 

After we moved back to the UK, I became a director of Sandie Shaw’s company, which was another brilliant job – Sandie was great fun to work with. 

It’s only really now I look back that I think how extraordinary it all was, what an amazing experience to have. I’m not surprised it’s cropped up more than once in my books, and more than likely will again in some guise or another.

            
About Louise Voss
Over her eighteen-year writing career, Louise Voss has had eleven novels published – five solo and six co-written with Mark Edwards: a combination of psychological thrillers, police procedurals and contemporary fiction – and sold over 350,000 books. Her most recent book, The Old You, was a number one bestseller in eBook. Louise has an MA (Dist) in Creative Writing and also works as a literary consultant and mentor for writers at www.thewritingcoach.co.uk. She lives in South-West London and is a proud member of two female crime-writing collectives, The Slice Girls and Killer Women.

Find Louise Voss on her website and on Twitter - @LouiseVoss1

About The LAST STAGE

The Last Stage
By Louise Voss
Published by Orenda Books (11 July 2019)




Publisher's description
A violent and horrific incident forces a young woman to go into hiding, at the peak of her career as lead singer of an indie pop band. Years later, strange things start to happen and it becomes clear that some know who she is…
At the peak of her career as lead singer of a legendary 1980s indie band, Meredith Vincent was driven off the international stage by a horrific incident. Now living a quiet existence in a cottage on the grounds of an old stately home, she has put her past behind her and come to terms with her new life.
When a body is found in the manicured gardens of her home, and a series of inexplicable and unsettling events begins to occur, it becomes clear that someone is watching, someone who knows who she is … Someone who wants vengeance.
And this is only the beginning…

Read a snippet of my review: 'The Last Stage contains a murder mystery to solve and secrets to reveal. There's even some history in there too. It's funny, smart and highly entertaining!'

Read my full review here.



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Friday, 12 April 2019

Passover and the diversity of diversity...

... and why it can be a challenge to please everyone (plus a bit more about the book I’m writing).

I originally wrote this post last year. In one week, the Jewish festival of Pesach (Passover) begins, so it's a good time to share this post again with a few minor changes. 

This post of mine is based on a comment I made in a Facebook group (for bloggers and authors) in February 2018. We were discussing Lionel Shriver’s article in The Guardian (you can read the Guardian article here), which raised many questions within the group:

  • Should we only write about the life we know?
  • Or should we feel comfortable writing about a life we don’t know?
  • Should we write about topics we haven’t experienced - and may never experience?
  • Or should we only write about topics we have experienced?

I'm writing Jewish-themed crime fiction. I've never committed a murder (you'll be pleased to know), but I do keep many of the Jewish traditions and live in a Jewish area, so to some degree I am writing about what I know. Yet this doesn't make writing a novel any easier. I still need engaging characters, a great plot and a believable setting (and I'm working hard on those, if anyone's interested). It also brings up other challenges for me, as I'm explaining concepts and practices I take for granted to people who know nothing (or very little) about the religion. I'm not ready to share any details about my plot, but my main character is a journalist who is learning about the religion as she investigates some possible crimes - which helps to take the reader on a journey of discovery too.

Many people show interest when I tell them what I'm writing. Comments include:

  • 'Jewish-themed crime fiction is definitely something different.'
  • 'I don't know much about Judaism so would love to learn more.'
  • 'Get on and write it - I can't wait to read it.'

Judaism in the UK
Jews make up only 0.5% of the UK's religious groups - much less than Christians, those with no religion, Muslims, Hindus and Sikhs in the chart. It often surprises people when I tell them this fact, as Jews seem so prominent within society and we are not considered by many to be an ethnic or religious 'minority group'.

In February 2019, a DNA analysis by My Heritage revealed that I am 97.5% Ashkenazi Jewish and 2.5% Middle Eastern. Who says being Jewish isn't in the blood or an ethnic group? Bizarrely, the test revealed that I have a very close DNA match with a 90-year-old woman (and her family) with a surname that's very similar to one of my great-grandparents' surnames - not a common surname at all.

Many people tell me they've never met anyone Jewish before - yet, how would they know, as we look and behave like everyone else. Ignorance breeds antisemitism and racism - this is something that needs to be addressed and one of the reasons I'm writing this book. 

My book begins with an antisemitic attack by two teenagers against a Jewish woman. Most people don't realise how much antisemitism occurs in the UK and that it is on the rise, as the incidents often don't make the national news. According to the Campaign Against Antisemitism, one in three British Jews has considered leaving Britain in the past two years due to antisemitism, with concern mounting over failures to tackle antisemitic crime and antisemitism in politics. Universities throughout the country are now a breeding ground for anti-Israel and antisemitic behaviour. According to the Community Security Trust, there were 1,382 antisemitic incidents recorded nationwide in 2017 - a record level in the UK.

Diversity within Judaism
The Facebook group discussion moved on to the concept of diversity and whether it's possible to write books that appeal to diverse readers if you're not part of that group yourself. My point was that it will always be difficult to please everyone but you do have to make sure your book is well researched - and others in the discussion agreed.

Just as there is diversity in the country as a whole, there is diversity within all communities and there isn't (or shouldn't be) such thing as a stereotype. The Jewish population in the UK is an example of this. You have the ultra-religious communities, who may dress and behave in a particular way (and are most easily identified as being Jewish). You may see them in parts of London, Greater London and Manchester, for example. Then you have the non-observant Jews, who don't keep any of the traditions, but are still Jewish because it's in their blood and are proud of their Jewish heritage. And then you have everyone else in between.

My book is set in a fictional town based on where I live, with some more observant Jewish families and some who keep very little of their religion but still identify themselves as being Jewish. Despite living in a fairly Jewish area, many people around here (including us) have experienced antisemitism (some openly, some disguised and some completely shocking).

Next weekend, the Jewish festival of Pesach (Passover) begins. This is one of the most commonly observed festivals, even by many people who are otherwise normally non-observant. But as with all diverse groups, everyone keeps the festival in their own way - so I'll use this as an example. It's one reason why I've been busy recently and will be for another couple of weeks.

Some Jewish people observe all of the 'rules' and others observe very few - and some in between. Even where I live, members of our Synagogue observe it in different ways, at different levels of religiosity. This is a clear example of diversity within one Jewish community.

What is Pesach?
Pesach, which lasts for eight days, commemorates the exodus of the Israelites from slavery in Egypt. The name Pesach (Passover) comes from the miracle when God passed over the houses of the Israelites during the 10th plague  - 'Death of the First Born'. The festival has many different features. It's too complicated to explain in detail, but here's a relatively short summary:

1. We eat special foods. We eat matzah (unleavened bread) rather than bread, reminding us that the Israelites didn't have time to let their bread rise when they left Egypt in a hurry. Matzah is made from flour and water and cooked very quickly. It's flat, like a cracker. I can't say I'm a great fan of it - I think of it as edible cardboard - but other people (including my husband and Dad) like it! Pesach is more complicated than just eating Matzah though, as all of our food (other than fruit, vegetables, meat/poultry and fish) has to be specially made for Pesach - even down to cooking oil, tins of tuna, dairy foods, crisps and chocolate (no Easter eggs!) - to ensure it hasn't been in contact with bread and chametz - see point 2). Some people will just avoid bread and eat matzah during Pesach but won't change any of the other foods they eat. Everyone keeps Pesach in a way that suits them.




2. We prepare for Pesach with the ultimate spring clean. We clear our house of bread and other foods (known as chametz - pronounce the 'ch' as in the Scottish 'loch') before Pesach begins. During Pesach, we can't eat pasta, rice, barley and legumes. We use different crockery, cutlery, pots and pans for those eight days, sealing up our kitchen cupboards (so we don't use our 'normal' items) or swapping them around (our Pesach items are stored in boxes in our garage and loft during the rest of the year). We cover all the kitchen surfaces. It's a bit like moving house (or at least, kitchen), with all the preparations beforehand. And yes, it can be stressful (okay, a nightmare).

3. We have a special family meal on the first two nights. It's called a Seder, which means 'order', because the meal has a special order that we follow, with specific traditional foods (such as parsley dipped in salt water to symbolise tears shed in slavery and raw horseradish to symbolise the bitterness of slavery). The Seder details, and the story of Pesach, are written in a special book called a Haggadah. Some families only do one Seder on the first night - we do both nights.



During the Seder, we sing songs and have discussions. Frogs may be dotted around the table (not real ones, I should add) - as frogs feature in the second plague.



Two years ago, we had the parting of the Red Sea down the centre of our Seder table - thanks to blue crepe paper, sand-coloured felt, fish stickers, shell-shaped sequins and Playmobil figures (Egyptians and builders etc). I think I enjoyed making it far more than my teenagers enjoyed seeing it. We even have a big Playmobil pyramid stored in the loft from when my boys were younger.



Pesach has many different themes and we do try to relate them to the 'here and now'. One of these is the theme of modern slavery (and not just the obvious - think about how enslaved we are to technology and social media). Then there's the theme of refugee status - as currently seen in Syria. Then finally the theme of antisemitism, which returns to my book. Just as the Jews were persecuted by Pharaoh then, they have been persecuted ever since, with the Holocaust and modern day antisemitic attacks.

So should we be free to write about lives different to our own?
I know that if I do get my novel published, it may come under a lot of scrutiny and I may be more open to antisemitism - I've already experienced antisemitic behaviour on social media, in response to a tweet about Holocaust Remembrance Day. Yes, this does worry me, but I know that I'll rise above it and have a strong support network of people around me.

But I may not only attract criticism from the wider population, and in some ways this worries me more, turning writing this book into more of a challenge to get it right. And this is probably the reason why I've been dragging my feet (or my typing fingers, in this case). As already mentioned above, the Jewish community is diverse. So my personal experience of Judaism probably won't be the same as someone else's. The Jewish characters in my book are also diverse, from a Jewish community like my own.

Some Jewish people may disagree with the content of my book if it's ever 'out there', because it's too Jewish, not Jewish enough, tells too much, tells too little, 'we don't do it like that', gives us a bad name... and 'you can't have anyone Jewish committing a crime'. Others may say it's great as it highlights antisemitism, shows that we're like everyone else, raises awareness of Judaism etc - which is exactly what I'm trying to do.

I don't think there's any way to 'win' in terms of writing about diverse groups of people, even if we're part of the community ourselves. When we read books, they touch us in many different ways, based on our nature and nurture, our upbringing, our past experiences, our present situation. No two readers will read a book in the same way or respond to it in the same way.

And that’s the beauty of reading - and writing.

Ultimately, we should be free to write (and read) about what excites us, what motivates us, what challenges us and what drives us.

For me, it's crime fiction with a Jewish theme. 

Watch this space!

Wednesday, 23 January 2019

New horizons with a new work website

At the end of 2018, I decided 2019 will become my year of positivity and change.

I've been a freelance journalist and editor for over 25 years, specialising in consumer health, working for magazines, websites and publishers.

My first step has been to create a website to showcase my editorial experience - https://vgoldmanbooks.wordpress.com. My website went live today! You can find more about my professional expertise on there - writing, editing, proofreading and, of course, book reviewing.



This year, I am looking to expand my client base. If you're a publisher or author looking for a proofreader, please do get in touch. With my specialist health and science background (BSc in Biomedical Science and MSc in Science Communication), I am ideally placed to copy-edit and proofread consumer health and popular science books. But I also have experience in proofreading other non-fiction topics, and also fiction.

Off-the-Shelf Books will continue as normal for my book reviews and features. I'm not going anywhere!

I'm also still working on my novel, making good progress with the editing.

Let's hope this year is a happy, healthy, productive and successful one for all of us!

Thanks for reading!

Vicki

Monday, 9 July 2018

MY WRITING DAY with Jane Isaac

I am delighted to welcome Jane Isaac to Off-the-Shelf Books today, to talk about her writing day! After He's Gone was published on 20 June 2018.


My Writing Day
By Jane Isaac



It’s six years since my first book was released (and eight since I first started penning novels) and my writing routine and lifestyle has seen many changes. In the early days, I wrote when the mood took me, fitted the words around my day job, my trusted computer balanced precariously on my lap, wherever I perched myself. I know some writers manage this juggling match brilliantly, but it’s always been a challenge for me and I found I was sacrificing more and more family time with every book. My daughter was getting older and kept reminding me she’d be off to university soon. I needed to make some changes, to spend more time with her. So, last year, I handed in my notice at the day job and made the decision to write full time, at least for a while.
My husband embraced my decision wholeheartedly and moved his guitars (well, most of them!) out of the spare room. A desk was installed, followed by a noticeboard, a computer and a chair. There’s plenty of colour in my new office. I’m the Queen of Post-it pads and have a kaleidoscope of notes attached to my whiteboard. The room doesn’t have much of a view, although I am accompanied by a bookshelf, the smallest in the house so I've filled it with my comfort books; those I can whip down and read when I'm looking for motivation. 
When I finished the day job, I imagined dropping my daughter at school in the morning and driving back through the country lanes while pondering plot points and character traits. In reality, I listen to the morning news while dashing back to walk the dog and complete my chores. It’s almost 9.30am by the time the dog and I traipse up to my office to begin work.
I’m prone to procrastination and find I can easily while away a couple of hours reading posts on Facebook or chatting on Twitter, so I have to be disciplined. I don't check emails or social media until I’ve made some progress on the scene I’m currently working on. I’ll work until 3pm when I have to do the school run and walk the dog. If it’s been a good day, I’ll be completely absorbed and forget lunch. If it hasn’t, I’ll have shifted about, snacked constantly, and dipped in and out of social media. Often I’ll be back at my keyboard in the evening, catching up with admin, or penning some more words. Occasionally I’ll have an event or a talk to prepare for.
My new title, After He’s Gone, marks the first in the DC Beth Chamberlain series. Beth is a Family Liaison Officer which offers an intriguing new angle on a murder investigation, for me. Liaison officers spend a lot of time with the family, updating them on the investigation and feeding back information and often get very close. And since most people are killed by someone they know or someone close to them, it affords the opportunity to unravel some really intriguing secrets! I’ve just finished the first draft of the second in the series, which is scheduled for release later this year, and am now working on an outline for a third. I find I plan more with every book; the whiteboard on the wall of my office is currently filled with drawings, photos, mind maps and notes for my new project.
Sometimes there’s a hiccup in my script, a moment's blindness. It happens. It's always happened. The only way I can cope with it is to remove myself and do something different like research a plot point, or a new scene. It’s lovely to go out and visit potential settings, meet with people for coffee, or read up for background. I probably do far too much of it, only a trickle will find its way into the novel, but I think it convinces my brain I’m still being productive when the words don’t flow!



About Jane Isaac
Jane Isaac lives with her detective husband (very helpful for research!) and her daughter in rural Northamptonshire, UK where she can often be found trudging over the fields with her Labrador, Bollo. Her debut, An Unfamiliar Murder, was nominated as best mystery in the 'eFestival of Words Best of the Independent eBook awards 2013.' The follow up, The Truth Will Out, was nominated as ‘Thriller of the Month – April 2014’ by E-Thriller.com.
After He’s Gone is Jane’s sixth novel and the first in a new series featuring Family Liaison Officer, DC Beth Chamberlain. The second DC Beth Chamberlain novel will be released later in 2018.
You can find with Jane at www.janeisaac.co.uk, on Facebook here and on Twitter - @JaneIsaacAuthor.

About After He's Gone

After He's Gone
By Jane Isaac
You can buy the book from Amazon UK here.


Description
 ‘The safety catch on the Glock snapped as it was released. Her stomach curdled as she watched the face of death stretch and curve. Listened to the words drip from his mouth, ‘Right. Let’s begin, shall we?’ 
You think you know him. Until he’s dead.
When Cameron Swift is gunned down outside his family home, DC Beth Chamberlain is appointed Family Liaison Officer: a dual role that requires her to support the family, and also investigate them. 
As the case unfolds and the body count climbs, Beth discovers that nothing is quite as it appears and everyone, it seems, has secrets. 
Even the dead…


Thursday, 3 May 2018

Sanjida Kay's Writing Toolkit

WRITING TOOLKIT gives you an idea of an author's writing process through the tools they use. The tools can be anything (real or virtual) that they think is essential for their writing - serious, fun or even a fetish (that they're willing to own up to)! 


I am delighted to welcome 

SANJIDA KAY

AUTHOR OF MY MOTHER'S SECRET

TO SHARE HER WRITING TOOLKIT

My Mother's Secret is published on today, on 3 May 2018, by Corvus/Atlantic Books. 




Office
Our exciting news is that we’re renovating a house in rural Somerset. In the meantime, we’ve downsized so I no longer have an office, but a desk in the corner of an open-plan room. I look out over a small, but beautiful green garden that backs onto an urban nature reserve. Jays and blue tits peep through the window. I can’t think if there’s any clutter, and I like to have a flower or two next to me. I work on an Apple Mac and a laptop. This has revolutionised my life: because everything is in the cloud, I can pick up my laptop and go, without having to check it’s saved, and I no longer have that awful realisation that I’ve spent hours working on the wrong document.


Notebooks
I love having different notebooks with lovely covers. I have one for ideas, one for quotes and overheard snippets of conversations and a working one, with what I need to do next. It helps me keep track of where I am - for instance, My Mother’s Secret is just about to be published out, but I’m still talking to readers about my previous thrillers, Bone by Bone and The Stolen Child, whilst editing the fourth one, The Anniversary. I find writing long-hand is a good way of generating ideas too, although I actually type my novels straight onto the computer.




Exercise
Writing is incredibly sedentary, so I need to move! I get up before anyone else and do an hour to an hour and a half of the Tracy Anderson Method. Tracy is a trainer in the states; I stream her classes, which are a combination of light weights and dance cardio. At the weekends I run or go mountain biking. I love walking. One of the characters in My Mother’s Secret lives in the Lake District, so it was a great excuse to head up there for ‘research’. I find walking helps with creativity and general resetting of one’s mental equilibrium.





Coffee and chocolate
I start my writing day with black coffee and 80% dark chocolate. I’m lucky enough to have a fantastic coffee roaster, Extract, at the bottom of our road and I buy their organic espresso, which tastes of hazelnuts and cocoa. Apparently.



Candles
I light a candle when I start working. I like scents that are quite sharp when I’m concentrating: my favourite is St Eval’s Rosemary and Bay; and then soothing, like Sandalwood, when I want to unwind. I love being surrounded by greenery so I fill the house with lots of plants.



Protein shake
I get through that mid-afternoon slump with a protein shake, usually made of fruit and vegetables, non-dairy milk and protein powder. I normally add spinach - this one is raspberry and coconut milk.




Headphones
Since we’re all in one room, there’s quite a lot of ‘negotiation’ about who gets to watch downhill mountain bike racing, How to Train your Dragon, or have some peace and quiet to write their novel. I spend quite a lot of time wearing headphones and pretending I can’t hear anyone speaking to me. I listen to audiobooks and podcasts when I’m doing chores; I’m a big fan of The Story Grid podcast and book, which is by editor Shawn Coyne and is aimed at helping writers and editors improve.



Cake


My daughter and I love baking: this is a cake that I made for one of my sister’s for her birthday. It’s a great way to relax and a slice of cake feels like a nice treat after a week of writing several thousand words and drinking spinach smoothies!




THANKS FOR TAKING PART, SANJIDA!


About Sanjida Kay
Sanjida Kay is a writer and broadcaster. She lives in Bristol with her daughter and husband. Her first psychological thriller, Bone by Bone, was longlisted for the CWA Ian Fleming Steel Dagger, chosen as one of the best reads of the year by the Sunday Express, a must-read by the Guardian, and she’s been named an Amazon rising star. The Stolen Child, her second thriller, has been optioned for TV and movie rights by the company that made Homeland. Her third psychological thriller, My Mother’s Secret, will be published on 3 May by Corvus Books.

Find Sanjida on her website, on her Facebook page and on Twitter - @SanjidaKay

About My Mother's Secret

Published by Corvus/Atlantic Books (3 May 2018)



Publisher's description
You can only hide for so long...

Lizzie Bradshaw. A student from the Lake District, forced to work away from home, who witnesses a terrible crime. But who will ultimately pay the price?
Emma Taylor. A mother, a wife, and a woman with a dangerous secret. Can she keep her beloved family safely together? 
Stella Taylor. A disaffected teenager, determined to discover what her mother is hiding. But how far will she go to uncover the truth?
And one man, powerful, manipulative and cunning, who controls all their destinies.