Today I'm delighted to welcome
ALISON JOSEPH
to share her BEST OF CRIME...
Credit: Hugo Glendinning
... AUTHORS
I absolutely love crime fiction, and I love seeing what my fellow writers do with the infinite possibilities of telling a story about killing. I’d say Val McDermid, Stella Duffy, and John Harvey are amongst my favourites. But I’ll go for Walter Mosley. He pushes at the boundaries of possibility in the genre, whilst absolutely owning it. His books are page-turning stories, with emotional truth and great poetry.
I absolutely love crime fiction, and I love seeing what my fellow writers do with the infinite possibilities of telling a story about killing. I’d say Val McDermid, Stella Duffy, and John Harvey are amongst my favourites. But I’ll go for Walter Mosley. He pushes at the boundaries of possibility in the genre, whilst absolutely owning it. His books are page-turning stories, with emotional truth and great poetry.
... FILMS/MOVIES
Odd Man Out. Made in 1947, it’s a nail-biting thriller and a very dark tale, but with a huge heart and a fantastically talented cast too.
Odd Man Out. Made in 1947, it’s a nail-biting thriller and a very dark tale, but with a huge heart and a fantastically talented cast too.
... TV DRAMAS
The Missing. I got fed up with compulsively watchable TV series where the final ending was unbelievable – where the story was so ramped up that the denouement couldn’t possibly measure up. But the Missing I’ve stuck with loyally and been rewarded. The acting, the story structure, and the world it inhabits – all believable and extremely well written.
The Missing. I got fed up with compulsively watchable TV series where the final ending was unbelievable – where the story was so ramped up that the denouement couldn’t possibly measure up. But the Missing I’ve stuck with loyally and been rewarded. The acting, the story structure, and the world it inhabits – all believable and extremely well written.
... FICTIONAL KILLERS
This is a difficult one. Most killers, as any police officer will tell you, kill for very straightforward reasons. So there’s already a challenge in making a killer believable. Agatha Christie, for all her unlikely puzzle-based plotting, makes it so that when the murderer is unmasked, it all somehow makes sense.
This is a difficult one. Most killers, as any police officer will tell you, kill for very straightforward reasons. So there’s already a challenge in making a killer believable. Agatha Christie, for all her unlikely puzzle-based plotting, makes it so that when the murderer is unmasked, it all somehow makes sense.
... FICTIONAL DETECTIVES
Simenon’s Maigret, for being the still silent centre of the story.
Simenon’s Maigret, for being the still silent centre of the story.
... MURDER WEAPONS
It’s amazing how much time we perfectly ordinary crime writers go about our daily lives thinking about ways of killing people. Most of my characters grab the nearest weapon, as we all would. Wouldn’t we? But I do like the (spoiler alert) bellrope snake in Conan Doyle’s Holmes story, The Speckled Band.
It’s amazing how much time we perfectly ordinary crime writers go about our daily lives thinking about ways of killing people. Most of my characters grab the nearest weapon, as we all would. Wouldn’t we? But I do like the (spoiler alert) bellrope snake in Conan Doyle’s Holmes story, The Speckled Band.
... BLOGS/WEBSITES
Killer Women. I know I’m a member, but Killer Women is just the most fab group of women crime writers and I’m proud to spread the word.
Killer Women. I know I’m a member, but Killer Women is just the most fab group of women crime writers and I’m proud to spread the word.
... WRITING TIPS
I’ve had the privilege of teaching on various creative writing courses over the years, and what I’ve learnt is that there isn’t a ‘right’ way of writing a crime story. Of course the structure is extremely important, and I do tend to work on that before I do the actual writing of the novel. I think it’s like a game of patience, or solitaire – the whole plot can be happily unfolding and I can be feeling very clever, and then suddenly it’s quite clear that it doesn’t make sense, that my murderer’s motivation is completely unbelievable and stupid, and it’s like a key card is stuck under the heap and I have to start again.
I’ve had the privilege of teaching on various creative writing courses over the years, and what I’ve learnt is that there isn’t a ‘right’ way of writing a crime story. Of course the structure is extremely important, and I do tend to work on that before I do the actual writing of the novel. I think it’s like a game of patience, or solitaire – the whole plot can be happily unfolding and I can be feeling very clever, and then suddenly it’s quite clear that it doesn’t make sense, that my murderer’s motivation is completely unbelievable and stupid, and it’s like a key card is stuck under the heap and I have to start again.
But the heart of the
story, the truth of the characters – I don’t really know where that comes from.
I think acting and writing are very connected, that there is some kind of being someone else
that happens when I’m working on a character.
About Alison Joseph
Alison Joseph is a crime writer and radio
playwright, former Chair of the Crime Writers’ Association, and founding member
of Killer Women. As well as her
Agatha Christies series, she is the author of the series of crime novels
featuring detective nun Sister Agnes. Agnes is contemporary, based in South
London where she works in a hostel for the homeless. She has appeared in seven
novels and on BBC Radio 4. Other credits include the standalone crime novel
Dying to Know, set in the world of particle physics. It features Detective
Inspector Berenice Killick, who has also appeared in a short story The Day of
the Dead, part of the Killer Women anthology of 2016.
Alison has written
about twenty radio dramas, including adaptations of the Maigret novels by
Georges Simenon. She was born in North
London, where she still lives.
Death in Disguise is the third in a series featuring (a fictional) Agatha Christie as the detective. This one is set in 1928, and takes place in the world of London variety theatre. The other two in the series are Murder Will Out and Hidden Sins.
Find Alison Joseph on Twitter - @AlisonJoseph1
About Death in Disguise
Publisher's description
Some people want to be fooled…
1920s, London
Agatha Christie, the famous detective
writer, is struggling to come to terms with her divorce. So much so that she
can barely bring herself to say the word.
To add to her despondency, she can’t shake
off the cutting words of a recent critic… utterly unlikely… a plot like
clockwork…
Her friends rally around and encourage her
to get out of the house, meet up with friends, go to the theatre…
Reluctantly, she attends a variety show
with an old friend, and following a dramatic and violent turn of events at the
theatre, discovers that life can, and does in fact, imitate art.
Perhaps she can find a new style…
Her musings lead her to her own
investigations to uncover the truth behind the ‘facts’, and in doing so, she
must face her own demons.
Death in Disguise is published by Endeavour Press. It's already available in e-book and is being published in paperback in March 2017.
Look out for more BEST OF CRIME features coming soon.
Click here to read more BEST OF CRIME features.
No comments:
Post a Comment