Racing Against Reality
By Matthew Blakstad
Photo credit: Paul Treacy
Remember
when we still thought 2016 was a gruelling year? From the death of David Bowie
to the pundit-defying outcome of the US presidential election, those twelve
turbulent months left many of us begging for 2017 to begin. I guess we should
have been careful what we wished for.
For my part,
I spent last year writing my second full-length novel, Lucky Ghost. I started
it on the 2nd of January 2016. (On the 1st I confess I was in no fit state.) By
the time I finished the edit, Trump was president. Like my debut novel, Sockpuppet,
my second book is set in the near future. It imagines a world very much like
our own, only more so. A world where people go about wearing digital veils
known as Mesh, which coat their worlds in comforting virtual illusions. They
call this augmented reality The Strange.
Here’s the
thing about writing a story set in the near future: you need to keep your eyes
closely trained on the present. As we all know, it takes months – or even years
– for a finished novel to make it into bookshops, by which time the world can
have shifted in fundamental ways. Leaving the author’s bleeding-edge vision of
the future looking as hackneyed as a 1970’s space opera. The risk is low for
authors lucky enough to live in stable times. Right now, though, world events
are moving faster than an Eastenders storyline – and they’re quite a bit less
plausible. In times like these, the writer can end up in a race against
reality.
As I wrote Lucky
Ghost, real-world events began to accelerate ever faster, forcing me into
constant revisions. I became a bit like Gromit, frantically constructing a toy
railway line, split seconds before his train runs over it. In June, for
instance, when the EU referendum result came in, I realised that the future I
was writing about needed to be one where Brexit had already happened. Ideas
about separation – both inside our society, and between Britain and the wider
world – began to write themselves into my story. The Syrian crisis, which was
already displacing hundreds of thousands of people onto the European continent,
threw out the backstory of one of my protagonists, a troubled young hacker with
the online handle Thimblerig. Then came the US election campaign, and the
vicious spate of online attacks that plagued it. Attacks that originated in
Russia and other former soviet nations. Inside my story, these events helped
shape the Belarusian extortion syndicate that wages a digital attack on
Britain. Even 2016’s spate of celebrity deaths, and its impact on our national
mood, found an analogue in the novel.
Yet in spite
of all these conscious responses to an ever-bleaker supply of news, it was only
in February of this year, as I read through the typeset page proofs of Lucky
Ghost, that I spotted the most glaring mark that 2016 had left on my story. As
I picked my way through the final typeset pages – a painstaking but immensely
rewarding part of the publication process – I realised that the book’s central
metaphor, of people who choose to live inside inside a comforting, illusory
version of reality, was not some fanciful futuristic conceit. it was exactly
what had been going on around me as I wrote.
In a time of
carefully-targeted fake news, where everyone from Russian hackers to mainstream
political campaigns are barraging us with their own preferred versions of
reality; where we’re spending ever more of our time in digital cocoons that
show us only the things we already believe to be true; where the divides in our
culture have become so starkly drawn that two people’s view of the self-same
event can be irreconcilably different – in this environment, what else could I
have chosen to write about, but deadly digital illusions, and the willing
consumers of alternative facts we all risk becoming?
Lucky Ghost is a conspiracy thriller for a
time when a large part of the world’s population prefers conspiracy theories to
facts. Maybe, in the end, my book has at last caught up with the world around
it. Time will tell who’s first to cross the finish line.
About Matthew Blakstad
Matthew Blakstad’s first career
was as a professional child actor. From the age of ten, he had roles in TV
dramas on the BBC and ITV, in films and at theatres including the Royal Court.
After graduating from Oxford with a degree in Mathematics and Philosophy, he
began a career in online communications, consulting for a range of clients from
the BBC to major banks. Since 2008, he has been in public service, using his
communication skills to help people understand and manage their money.
About Lucky Ghost
Lucky Ghost
By Matthew Blakstad
Published by Hodder (27 July 2017)
By Matthew Blakstad
Published by Hodder (27 July 2017)
Publisher's description
Early one morning, blogger Alex Kubelick walks up to a total
stranger and slaps him across the face. Hard.
He smiles.
They've both just earned Emoticoin, in a new, all-consuming
game that trades real-life emotions for digital currency. Emoticoin is changing
the face of the economy - but someone or something is controlling it for their
own, dangerous ends.
As Alex picks apart the tangled threads that hold the virtual
game together she finds herself on the run from very real enemies. It seems
only one person has the answers she seeks. Someone who hides behind the name
'Lucky Ghost'.
But Lucky Ghost will only talk to a young hacker called
Thimblerig - the online troll who's been harassing Alex for months.
Will Lucky Ghost lead Alex and Thimblerig to the answers they
seek - or to their deaths?
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